Marcus Padrini 22, 775 views. Buy BEHRINGER U-CONTROL UMA25S: Synthesizers Workstations FREE DELIVERY possible on eligible purchases Behringer UMA25S GarageBand for Mac Duration: 0:57. Software Installation, 2.1 Driver installation, 2.2 Music software, 2.2.1 Music production, Selecting the USB mode:, 2.USB Mode with MIDI OUT: 2. The Behringer MIDI driver adds multiclient.What's black and white and red all over? Behringer's fantastically cheap new audio interface and MIDI controller, of course!Behringer UMA25S 2. However, if youre using a PC there are benefits to manually installing the supplied drivers. The UMA25S is plug and play with Mac OS X, Windows XP and Vista 32bit, so you can use its generic audio and MIDI functions immediately, without having to install any drivers.U Control Uma25s DriversBuy BEHRINGER U-CONTROL UMA25S: Synthesizer & Workstation Keyboards. You also get a shoulder strap for on‑stage use, a 'mic and headphones' headset, and a soft gig bag. The UMA25S features two octaves of full‑sized, velocity‑sensitive keys, pitch and mod wheels, eight rotary MIDI controller knobs and eight MIDI‑programmable buttons, along with a USB audio interface with stereo line in/out, and a mic input and headphone output. Behringer already make MIDI controllers, keyboards and audio interfaces and, like various other manufacturers, they have now neatly combined all these functions into a single unit.
Behringer Uma25S Mac OS XIntroducing the windows xp/vista and downloading. Behringer uma25s driver for windows mac - accessories for concert percussion. Behringer uma25s driver download - while initial impressions are good, the experience is soured by the windows asio drivers for the audio interface. Search and returns on the uma25s review a good, etc. Behringer Uma25S Portable As PossibleA third power option is a 9V DC power supply (not included), although I can't see many users adopting this, especially as once you power up the UMA25S via the USB connection there's a further MIDI option.It can either continue transmitting MIDI data directly to the rear-panel MIDI output, or act as a Thru port — ferrying data from your sequencer to other hardware while you transmit your MIDI performance to your sequencer via the USB connection. In both scenarios the rear-panel cable clamp will greatly lessen the chances of you accidentally pulling out the plug mid‑solo. This means that you could use it either as a stand‑alone MIDI controller, connected to your main rig using a MIDI cable, or via a USB cable if you want to use the audio features and supplied headset. Most remarkable of all is the price — all of this will cost you less than £80 $200! Behringer have gone to some trouble to make the UMA25S as portable as possible, with an ultra‑slim 1.8‑inch thick casing in a fetching metallic red colour.The shoulder strap definitely adds to its live appeal, but the most important design aspect for stage posing is that it can be powered via its USB cable or by three AA batteries. Beneath these wheels are six buttons with LED status indicators, for octave down and up, and four internal functions — the aforementioned MMC, plus Mute, Preset and Edit/Exit. The centre‑sprung pitch‑bend wheel and unsprung mod wheel are slightly above and to the left of the keyboard, but not too far away that they cause performance problems, and they too can be re-allocated to generate other MIDI data if required. The eight push‑buttons beneath the rotary knobs can also have any MIDI function allocated to them, although with a click of the MMC (MIDI Machine Control) button to the left of the keyboard, these instead generate standard transport‑control data.As you move any of these knobs or press any of the buttons, the current parameter value appears in the three‑digit LED display, providing instant visual feedback. The eight rotary controls can be allocated to any MIDI continuous controller number, and there's also a dedicated volume slider that always generates MIDI controller 7 data. The rear panel provides unbalanced stereo line ins and outs on phono sockets, a mono 3.5mm mic-input socket and rotary level control, and 3.5mm stereo headphone output, again with its own level control.There's also a handy Direct Monitor switch with an associated rotary mix control, which lets you blend the signal being recorded (with zero latency) with the line and headphone output signals. The audio spec is more modest. Completing the MIDI functions are rear-panel sockets for both a sustain switch and expression pedal, as well as a standard MIDI output to connect to hardware synths or your sequencer. I can't help feeling that a computer‑based editor would have been far less frustrating to use, but at least the secondary keys include a Learn function so you can transmit the MIDI message that you want the UMA25S to generate. Osu mania skins arrowsYou can't expect cutting‑edge audio quality at such an entry‑level price‑point, and the two line‑level inputs and outputs offer sample rates of 32, 44.1, and 48kHz, but in 16‑bit format only. Although I'd love to see the rotary knobs with coloured pointers for better visual feedback, in practice their prominent pointers were easy to feel even in subdued lighting conditions. The various buttons all gave a decisive click when pressed, while the pitch‑bend and mod wheels, along with the slider and rotary controls, have a smooth and precise action with a reassuringly rubbery 'grip'. However, I can't say I personally got on with the limited travel of the 'half‑action' keyboard — the white keys felt OK, but the black ones felt very spongy, and I found it difficult to play trills or get consistent velocity response without hitting the keys rather than pressing them.I was rather more impressed by the other MIDI controller features. Keyboard actions are a notoriously personal choice, and I'm sure many musicians would find this 25‑key, slimline design perfectly adequate. Unsurprisingly, the back of the UMA25S is simply crammed with sockets for its various audio and MIDI duties — and on top of all that there are controls for headphone and mic input level and direct monitoring. However, if you're using a PC there are benefits to manually installing the supplied drivers. Behringer really have no competition at their £80 $189 price point.The UMA25S is 'plug and play' with Mac OS X, Windows XP and Vista 32‑bit, so you can use its generic audio and MIDI functions immediately, without having to install any drivers. Edirol's now-discontinued PCR1, with its half‑action keys, was probably the closest, but cost nearly three times as much. If you want a more sophisticated, semi‑weighted keyboard with aftertouch, there's M‑Audio's Axiom for not a lot more than the UMA25S.However, if you want built‑in audio features as well, there's almost no competition. Summary Although it won't win any awards for its keyboard or audio quality, Behringer's UMA25S faces little or no competition at this price point. Low maximum headphone level. Versatile but frustrating MIDI programming system. Limited 16‑bit audio quality.Half‑action keyboard won't suit everyone. Incredible value for money. Versatile MIDI controller functions. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. All contents copyright © SOS Publications Group and/or its licensors, 1985-2018.All rights reserved.
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